> For what it's worth, I'd guess there is a real author, whose command of the English language is worse than ChatGPT, and who asked the LLM to rewrite his work in the right style for the website.
Sure. But if the author doesn't notice the nonsense that the LLM is introducing, it harms as well as helping.
"Primed for colour" is a strangely uninteresting thing to be saying about the sacks. If this requires any non-trivial effort, it would make more sense to describe the process. If the author actually wanted to talk about that, chances are the LLM removed useful information.
And putting aside that "These weren’t just any flour sacks either — they were durable, easy to roll up, and ready for reuse." is three "classic LLM tropes" in a row ("not just any"; a gratuitous emdash where any dash at all only becomes necessary because of that introduction; an ascending tricolon), it's just a bizarre thing to say. First off, if the sacks were sewn together to make a larger banner, then it doesn't make sense to talk about rolling up the individual sacks. Second, the phrasing suggests something exceptional, but these are all totally ordinary and trivial properties of pretty much any sort of flour sack. Many different materials are used, but all of them would be "easy to roll up" when empty, and making them durable and reusable is just common sense in that environment. The artists were clearly just using a fairly obvious material they had at hand, so this sudden bit of marketing-speak is entirely out of place. Third, the features highlighted all have to do with the sacks, but not with either each other nor the banners. In particular, a sack being "ready for reuse" is ready for reuse as a sack, not for its material being repurposed for something completely different (we typically call that "recycling", not "reuse").
The bit about "the designs" may well even be true, but it's a complete non-sequitur here, a point that doesn't really merit deeper explanation.
The writing isn't just "banal" but nonsensical in context, veering off into free-association. There's more potentially being hallucinated here than just the "facts". Never mind the accuracy or truth of what's written; this sort of thing makes it hard to accept that the prose even reflects the author's intent.
Sure. But if the author doesn't notice the nonsense that the LLM is introducing, it harms as well as helping.
"Primed for colour" is a strangely uninteresting thing to be saying about the sacks. If this requires any non-trivial effort, it would make more sense to describe the process. If the author actually wanted to talk about that, chances are the LLM removed useful information.
And putting aside that "These weren’t just any flour sacks either — they were durable, easy to roll up, and ready for reuse." is three "classic LLM tropes" in a row ("not just any"; a gratuitous emdash where any dash at all only becomes necessary because of that introduction; an ascending tricolon), it's just a bizarre thing to say. First off, if the sacks were sewn together to make a larger banner, then it doesn't make sense to talk about rolling up the individual sacks. Second, the phrasing suggests something exceptional, but these are all totally ordinary and trivial properties of pretty much any sort of flour sack. Many different materials are used, but all of them would be "easy to roll up" when empty, and making them durable and reusable is just common sense in that environment. The artists were clearly just using a fairly obvious material they had at hand, so this sudden bit of marketing-speak is entirely out of place. Third, the features highlighted all have to do with the sacks, but not with either each other nor the banners. In particular, a sack being "ready for reuse" is ready for reuse as a sack, not for its material being repurposed for something completely different (we typically call that "recycling", not "reuse").
The bit about "the designs" may well even be true, but it's a complete non-sequitur here, a point that doesn't really merit deeper explanation.
The writing isn't just "banal" but nonsensical in context, veering off into free-association. There's more potentially being hallucinated here than just the "facts". Never mind the accuracy or truth of what's written; this sort of thing makes it hard to accept that the prose even reflects the author's intent.