It's a hodgepodge. These paragraphs near the end might be the point. I don't blame you for not getting this far.

"Here, streaming platforms have achieved a strange paradox. Never has a group of studios gained so much control over the production, distribution, exhibition, and reception of movies by making movies no one cares about or remembers. Having not only failed to discover a new generation of auteurs, the streamers have also ensured that their filmmakers are little more than precarious content creators, ineligible to share the profits of any hit. It’s a shift that has induced a profound sense of confusion.

“What are these movies?” the Hollywood producer asked me. “Are they successful movies? Are they not? They have famous people in them. They get put out by major studios. And yet because we don’t have any reliable numbers from the streamers, we actually don’t know how many people have watched them. So what are they? If no one knows about them, if no one saw them, are they just something that people who are in them can talk about in meetings to get other jobs? Are we all just trying to keep the ball rolling so we’re just getting paid and having jobs, but no one’s really watching any of this stuff? When does the bubble burst? No one has any fucking clue.”

"Netflix has created a pyramid scheme of attention, with no end in sight. And yet if the streamer admitted how little impact its movies make, it would undermine its long-running pitch to audiences, Hollywood talent, and their business representatives that the company is a grand star-making enterprise that produces great cinema with commercial appeal.